Lost your password? Please enter your email address. You will receive a link and will create a new password via email.
Please briefly explain why you feel this question should be reported.
Please briefly explain why you feel this answer should be reported.
Please briefly explain why you feel this user should be reported.
Examine the development of bronze casting in India and explain why the bronze sculptures of the Chola period are regarded as the most refined. (200 words)
Model Answer Development of Bronze Casting in India Bronze casting in India can be traced back to the Indus Valley Civilization (IVC), with early examples like the Dancing Girl from Mohenjodaro (2500 BCE), a notable representation of the lost-wax method. Over the centuries, the technique evolved, seRead more
Model Answer
Development of Bronze Casting in India
Bronze casting in India can be traced back to the Indus Valley Civilization (IVC), with early examples like the Dancing Girl from Mohenjodaro (2500 BCE), a notable representation of the lost-wax method. Over the centuries, the technique evolved, seen in later examples such as the Daimabad Man (1500 BCE) from Maharashtra. By the 6th-9th centuries BCE, significant bronze sculptures were being made, such as the Jain bronzes from Akota, Gujarat, and Buddhist sculptures, including the monumental Sultanganj Buddha.
Chola Period and the Pinnacle of Bronze Sculpture
The Chola period (10th-12th century CE) marked the zenith of bronze casting in India, with their sculptures regarded as the most refined due to several unique aspects:
Conclusion
The Chola bronze sculptures are considered the pinnacle of Indian bronze casting due to their unparalleled craftsmanship, expressiveness, and religious significance, making them timeless works of art.
See lessWhat were the key contributions of Mathura art to the development of iconographies of Buddhist, Jaina, and Brahmanical deities? (200 words)
Model Answer Mathura art made significant contributions to the development of iconographies for Buddhist, Jaina, and Brahmanical deities during the early centuries of the common era. This period witnessed the blending of various religious traditions, which is evident in the iconographic evolution ofRead more
Model Answer
Mathura art made significant contributions to the development of iconographies for Buddhist, Jaina, and Brahmanical deities during the early centuries of the common era. This period witnessed the blending of various religious traditions, which is evident in the iconographic evolution of these deities.
Buddhist Sculptures
Mathura’s Buddhist sculptures are known for their sturdy and earth-bound representations of Buddha and Bodhisattvas. The images typically feature a round face, sharp nose, thick lips with a subtle smile, and a prominent usnisa (topknot). Notably, the seated Buddha often performs the abhayamudra (gesture of reassurance), with his left hand resting on his knee.
The Bodhisattvas are shown with large, detailed umbrellas, beneath which are sacred symbols like the lotus, mythical beasts, and other auspicious motifs. These representations contributed to the gradual move towards more complex Buddhist iconography, with added elements like the Bodhi tree and lion figures on pedestals, signifying the Buddha’s lion throneina Sculptures Mathura also played a pivotal role in Jaina sculpture, with the site of Kankila Tila being a key center for Jaina ideologies.
Among the significant findings are sarvatobhadrika images depicting Tirthankaras standing in the kayotsarga posture on multi-tiered platforms, with devotees shown in anjali mudra (prayer pose). These images reflect the Jaina ideal of self-discipline and renunciation, marking an important phase in Jaina religious art .
B Sculptures
In the Brahmanical tradition, Mathura art contributed to the depiction of Vaishnava, Saiva, and other deities. Vishnu is typically shown in his four-armed form, holding a gada, chakra, and kamandalu, with his right hand in abhayamudra. Balarama is depicted with two or four arms, often with a serpent-hood canopy, and is linked to his pastoral origins. Additionally, the Mukhalingas, which combine the Linga and anthropomorphic forms of Shiva, emerged during this period, along with the creation of the Ardhanariswara form, symbolizing the union of Shiva and Parvati .
Mathura’s sculapsulated the defining traits of these religious traditions, leaving a lasting legacy in the art and iconography of Indian spirituality.
See lessHow does modern art encompasses the elements of gender and feminism from a postmodernist point of view ?
Modern art perspective emphasizes experimentation, diversity and subjective experience rejecting traditional notions of beauty and representation. It encompasses various styles including abstraction, surrealism and pop art focusing on emotional expression, social critique and intellectual inquiry. FRead more
Modern art perspective emphasizes experimentation, diversity and subjective experience rejecting traditional notions of beauty and representation. It encompasses various styles including abstraction, surrealism and pop art focusing on emotional expression, social critique and intellectual inquiry.
From a postmodernist perspective, modern art encompasses elements of gender and feminism through –
Postmodernist modern art breaks gender rules by blending reality and fantasy. It uses irony, self portraits and personal stories to challenge stereotypes, empower women’s voices and promote equality and inclusivity.
See lessGandhara sculpture owed as much to the Romans as to the Greeks. Explain. (150 words) [UPSC 2014]
Influence of Romans and Greeks on Gandhara Sculpture **1. Greek Influence Gandhara sculpture (circa 1st-5th century CE) reflects significant Greek artistic influence due to the Greek invasion and settlement in the region under Alexander the Great and his successors. Greek art contributed to the deveRead more
Influence of Romans and Greeks on Gandhara Sculpture
**1. Greek Influence
Gandhara sculpture (circa 1st-5th century CE) reflects significant Greek artistic influence due to the Greek invasion and settlement in the region under Alexander the Great and his successors. Greek art contributed to the development of realistic human figures and anatomical precision in Gandhara sculptures. The Hellenistic tradition introduced concepts such as drapery, naturalistic forms, and the portrayal of emotions, which are evident in Gandharan statues of Buddha, where realistic human forms and flowing robes are prominent.
**2. Roman Influence
Roman influence is also discernible in Gandhara art, particularly through trade and cultural exchanges. The Roman Empire’s presence in the region facilitated the dissemination of Roman artistic styles and techniques. For example, Gandhara sculptures often feature motifs and artistic elements such as Roman-style arches and architectural features. Additionally, the use of stucco and relief work in Gandhara art shows parallels to Roman architectural decoration.
**3. Fusion of Styles
The Gandhara region’s strategic location as a crossroad between the Roman and Greek worlds led to a cultural synthesis. The blending of Greek naturalism with Roman artistic traditions resulted in a unique style that combined realistic portrayals with Hellenistic and Roman elements. Recent studies have highlighted the presence of Roman imperial imagery and Greek mythological themes in Gandharan sculptures, showcasing a fusion of artistic influences.
**4. Archaeological Evidence
Recent archaeological findings in Taxila and Peshawar illustrate the impact of both Greek and Roman art on Gandhara sculptures. For instance, the presence of Greco-Roman iconography and architectural features in Gandharan artifacts supports the notion of a significant cross-cultural exchange.
In summary, Gandhara sculpture represents a confluence of Greek and Roman artistic traditions, showcasing a rich blend of styles and techniques that underscore the region’s historical significance as a cultural melting pot.
See lessAryan Invasion Theory
The Aryan Invasion Theory has a complex and controversial history of development and interpretation. Here is an overview of the timeline and key points regarding this topic: Timeline of Aryan Invasion Theory Development: 19th Century: The theory first emerged in the 19th century, proposed by EuropeaRead more
The Aryan Invasion Theory has a complex and controversial history of development and interpretation. Here is an overview of the timeline and key points regarding this topic:
Timeline of Aryan Invasion Theory Development:
Debate and Controversy:
In summary, while the Aryan Invasion Theory has been largely debunked by mainstream scholarship, the nature and timeline of any Aryan migration into India remains an active area of research and debate, with ongoing discussions about the linguistic, archaeological, and genetic evidence.
See lessBanking
Traditional banks are adapting to the rise of digital banking and mobile payment platforms in several ways: Digital Transformation: Many traditional banks are undergoing a digital transformation to offer online and mobile banking services, enabling customers to access their accounts, pay bills, andRead more
Traditional banks are adapting to the rise of digital banking and mobile payment platforms in several ways:
Indian Mythology
Ans) The story of Mother Yashoda seeing the entire universe within Krishna's mouth is a powerful and evocative metaphor from Hindu mythology, symbolising the idea that the divine encompasses all of creation. This vision highlights the concept that the universe is interconnected and that the divine pRead more
Ans) The story of Mother Yashoda seeing the entire universe within Krishna’s mouth is a powerful and evocative metaphor from Hindu mythology, symbolising the idea that the divine encompasses all of creation. This vision highlights the concept that the universe is interconnected and that the divine presence is inherent in all things. Drawing a parallel between this myth and our understanding of the cosmos and the human body can provide a rich philosophical perspective.
In this context, one could argue that we are indeed part of a larger system, where the universe and its myriad elements reflect a grand design. The resemblance between celestial bodies and biological structures—such as the similarities between star systems and neurons, or the spiral forms of galaxies and DNA can be seen as a manifestation of the fractal nature of existence. This perspective suggests that patterns repeat at different scales, from the microscopic to the macroscopic, reflecting a harmonious and interconnected whole.
The idea of a controller or a supervising force, which in Hindu philosophy is often referred to as Maya or Illusion that aligns with this view. Maya represents the illusionary nature of the world, where reality is perceived through a veil of illusion, obscuring the true essence of the divine. In this sense, the universe can be seen as a grand illusion, orchestrated by a higher consciousness or divine force.
This philosophical viewpoint resonates with the notion that our understanding of reality is limited and filtered through our perceptions. Just as Yashoda glimpsed the vastness of the universe within Krishna’s mouth, we too may only perceive a fraction of the true nature of existence. The parallels between cosmic structures and human anatomy might then be seen as reflections of a deeper, underlying order, suggesting that the same principles govern both the microcosm and the macrocosm.
In conclusion, the metaphor of seeing the universe within Krishna’s mouth can be extended to suggest that we are part of a grand, interconnected system, overseen by a higher consciousness or divine force. The similarities between celestial and biological structures can be viewed as evidence of this interconnectedness, reinforcing the idea that what we perceive as reality may be an illusion shaped by a deeper, divine order.
See lessThe Pala Empire is known for a distinctive form of Buddhist art. In this context, discuss the contributions made by the Pala dynasty towards art.
The Pala dynasty ruled the regions of Bengal and Bihar for about 400 years, from the 8th century till the 12th century. The Pala rulers were great supporters and admirers of Buddhism. The Pala period is known for its distinctive form of Buddhist sculptures, painting, terracotta arts and architectureRead more
The Pala dynasty ruled the regions of Bengal and Bihar for about 400 years, from the 8th century till the 12th century. The Pala rulers were great supporters and admirers of Buddhism. The Pala period is known for its distinctive form of Buddhist sculptures, painting, terracotta arts and architecture. Important centres of Buddhist learning such as Nalanda and Vikramshila also flourished during this period.
During the rule of the Palas, art witnessed phenomenal development in various forms, such as:
The Pala Empire made significant contributions to the development of art, especially Buddhist art. Their distinctive style of sculpture and paintings was not just restricted to India but also spread to neighbouring regions like Nepal and South-East Asia.
See lessWith the elephant being a vital part of the Buddhist faith, it was widely represented in its sculptures as well. Discuss.
Buddhism is a non-theistic religion (no belief in a creator god), also considered as a philosophy and a moral discipline, which originated in India in the 6th and 5th centuries BCE. It was founded by the sage Siddhartha Gautama (the Buddha). Renowned for their wisdom, intelligence, and patience, theRead more
Buddhism is a non-theistic religion (no belief in a creator god), also considered as a philosophy and a moral discipline, which originated in India in the 6th and 5th centuries BCE. It was founded by the sage Siddhartha Gautama (the Buddha). Renowned for their wisdom, intelligence, and patience, the elephant is considered as a vital part of the Buddhist faith, as given below:
This importance given to elephants in Buddhist faith explains their prominence in Buddhist sculpture as highlighted below:
In this way, various scriptures describe Buddha as the epitome of an elephant-calm, poised, and alert. Though earlier Buddhist art represented him through various symbols, Mahayana Buddhism started portraying Buddha in human form.
See lessThe Gupta sculptures not only remained models of Indian art for all time to come but also served as ideals for sculptures in regions beyond the boundaries of present-day India. Substantiate.
The foundation of the Gupta Empire in the 4th century A.D. marks the beginning of the classical phase of sculpture in the Indian subcontinent. In the Gupta period, all the trends and tendencies of the artistic pursuits of the preceding phases reached their culmination. Gupta sculpture is the logicalRead more
The foundation of the Gupta Empire in the 4th century A.D. marks the beginning of the classical phase of sculpture in the Indian subcontinent. In the Gupta period, all the trends and tendencies of the artistic pursuits of the preceding phases reached their culmination. Gupta sculpture is the logical outcome of the early classical sculpture of Amaravati and Mathura. In the Gupta period, sculptures made an attempt to establish a closer harmony between art and thought, between the outer and inner intellectual and spiritual conception of the people making it models of Indian art for the following centuries:
By approximately 380 AD, the Gupta empire had expanded to include a number of smaller kingdoms to the east (into what is now Myanmar), all territories north to the Himalayas (including Nepal), and the entire Indus Valley region to the west. Thus, sculptures of the Gupta period also served as ideas for sculptures beyond the boundaries of present-day India :
The Gupta Sculptural era symbolizes a tradition where techniques of art were perfected, definite types were evolved, and ideals of beauty were formulated with precision. There was no more groping in the dark, no more experimentation. A highly developed aesthetic sense and masterly execution by skilled hands produced those remarkable images that were the ideal of the artists of subsequent ages in as well as beyond India.
See less