Linear perspective revolutionized Renaissance art by introducing a mathematical technique for creating depth in flat surfaces. Developed by Filippo Brunelleschi in the early 15th century and Leon Battista Alberti, it used a single missing point, an uphill path, vertical lines, and crossings to represent space; it actually has three parts

The impact of the linear approach was profound. It allowed them to depict space with sufficient clarity and precision, moving away from the flat outlines of medieval art. This technique increased the clarity of the composition, allowing artists to guide the viewer’s eye through the scene in a controlled manner. It also improved design in terms of architectural accuracy, and buildings and interiors can be interpreted in terms of specific shapes and spatial relationships

Notable examples are Masaccio’s “Holy Trinity,” which shows an early use of linear thought, Leonardo da Vinci’s “The Last Supper,” in which the vertical lines point to Christ, and Raphael’s “. The School of Athens,” a large authentic exhibition of architecture and environment.

Essentially, the linear approach transformed spatial representation in Renaissance art to provide a way to create a realistic, coherent and coherent visual narrative, which reflected the strengths of humanism and science during the research period