Waiting for Godot is a quintessential example of absurdist theater. Beckett’s play mirrors the existential angst and meaninglessness many felt post-World War II. It presents a world devoid of logical explanations, where characters engage in repetitive, nonsensical dialogues. Vladimir and Estragon, the central characters, exist in a barren, unchanging landscape, endlessly waiting for a mysterious figure named Godot who never arrives. This perpetual expectation highlights the futility of human existence.

The play’s lack of plot, repetitive actions, and ambiguous ending reflect the absurd nature of life. Through its minimalist approach, Beckett questions the traditional structures of drama and challenges the audience to confront the underlying absurdity of human condition.