Discuss post-mauryan trends in Stupa Making in India. How it was different from Mauryan time?
Kiran SrivastavaBegginer
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Discuss post-mauryan trends in Stupa Making in India. How it was different from Mauryan time?
Post-Mauryan stupa making in India saw significant advancements compared to the Mauryan period, particularly under Ashoka in terms of:
• Architectural Complexity:
– Mauryan Period: Stupas had a basic hemispherical dome (anda), a square railing (harmika), and a central pillar (yasti) topped with a chhatra (umbrella). Example: Great Stupa at Sanchi.
– Post-Mauryan Period: Stupas became more elaborate with multiple terraces (medhi), intricate gateways (toranas), and ornate harmika and chhatra designs. Examples: Bharhut, Amaravati.
• Artistic Embellishments:
– Mauryan Period: Limited decoration, primarily on railings and gateways.
– Post-Mauryan Period: Extensive carvings and sculptures depicting Jataka tales, life of Buddha, and other motifs, enhancing the artistic value.
• Regional Styles:
– Mauryan Period: Relatively uniform style across the empire.
– Post-Mauryan Period: Emergence of regional styles with local influences seen in stupas across different parts of India, including Gandhara, Mathura, and Andhra Pradesh.
•Socio-Religious Context:
– Mauryan Period: Stupas served as reliquaries and symbols of Buddhist piety under state patronage.
– Post-Mauryan Period: Increased patronage from local rulers, merchants, and communities, leading to a proliferation of stupas and the integration of more diverse artistic elements.
Post-Mauryan stupa making in India saw significant advancements compared to the Mauryan period, particularly under Ashoka in terms of:
• Architectural Complexity:
– Mauryan Period: Stupas had a basic hemispherical dome (anda), a square railing (harmika), and a central pillar (yasti) topped with a chhatra (umbrella). Example: Great Stupa at Sanchi.
– Post-Mauryan Period: Stupas became more elaborate with multiple terraces (medhi), intricate gateways (toranas), and ornate harmika and chhatra designs. Examples: Bharhut, Amaravati.
• Artistic Embellishments:
– Mauryan Period: Limited decoration, primarily on railings and gateways.
– Post-Mauryan Period: Extensive carvings and sculptures depicting Jataka tales, life of Buddha, and other motifs, enhancing the artistic value.
• Regional Styles:
– Mauryan Period: Relatively uniform style across the empire.
– Post-Mauryan Period: Emergence of regional styles with local influences seen in stupas across different parts of India, including Gandhara, Mathura, and Andhra Pradesh.
•Socio-Religious Context:
– Mauryan Period: Stupas served as reliquaries and symbols of Buddhist piety under state patronage.
– Post-Mauryan Period: Increased patronage from local rulers, merchants, and communities, leading to a proliferation of stupas and the integration of more diverse artistic elements.
Post-Mauryan stupa making in India saw significant advancements compared to the Mauryan period, particularly under Ashoka in terms of:
• Architectural Complexity:
– Mauryan Period: Stupas had a basic hemispherical dome (anda), a square railing (harmika), and a central pillar (yasti) topped with a chhatra (umbrella). Example: Great Stupa at Sanchi.
– Post-Mauryan Period: Stupas became more elaborate with multiple terraces (medhi), intricate gateways (toranas), and ornate harmika and chhatra designs. Examples: Bharhut, Amaravati.
• Artistic Embellishments:
– Mauryan Period: Limited decoration, primarily on railings and gateways.
– Post-Mauryan Period: Extensive carvings and sculptures depicting Jataka tales, life of Buddha, and other motifs, enhancing the artistic value.
• Regional Styles:
– Mauryan Period: Relatively uniform style across the empire.
– Post-Mauryan Period: Emergence of regional styles with local influences seen in stupas across different parts of India, including Gandhara, Mathura, and Andhra Pradesh.
•Socio-Religious Context:
– Mauryan Period: Stupas served as reliquaries and symbols of Buddhist piety under state patronage.
– Post-Mauryan Period: Increased patronage from local rulers, merchants, and communities, leading to a proliferation of stupas and the integration of more diverse artistic elements.
Post-Mauryan stupa making in India saw significant advancements compared to the Mauryan period, particularly under Ashoka in terms of:
• Architectural Complexity:
– Mauryan Period: Stupas had a basic hemispherical dome (anda), a square railing (harmika), and a central pillar (yasti) topped with a chhatra (umbrella). Example: Great Stupa at Sanchi.
– Post-Mauryan Period: Stupas became more elaborate with multiple terraces (medhi), intricate gateways (toranas), and ornate harmika and chhatra designs. Examples: Bharhut, Amaravati.
• Artistic Embellishments:
– Mauryan Period: Limited decoration, primarily on railings and gateways.
– Post-Mauryan Period: Extensive carvings and sculptures depicting Jataka tales, life of Buddha, and other motifs, enhancing the artistic value.
• Regional Styles:
– Mauryan Period: Relatively uniform style across the empire.
– Post-Mauryan Period: Emergence of regional styles with local influences seen in stupas across different parts of India, including Gandhara, Mathura, and Andhra Pradesh.
•Socio-Religious Context:
– Mauryan Period: Stupas served as reliquaries and symbols of Buddhist piety under state patronage.
– Post-Mauryan Period: Increased patronage from local rulers, merchants, and communities, leading to a proliferation of stupas and the integration of more diverse artistic elements.
Post-Mauryan stupa making in India saw significant advancements compared to the Mauryan period, particularly under Ashoka in terms of:
• Architectural Complexity:
– Mauryan Period: Stupas had a basic hemispherical dome (anda), a square railing (harmika), and a central pillar (yasti) topped with a chhatra (umbrella). Example: Great Stupa at Sanchi.
– Post-Mauryan Period: Stupas became more elaborate with multiple terraces (medhi), intricate gateways (toranas), and ornate harmika and chhatra designs. Examples: Bharhut, Amaravati.
• Artistic Embellishments:
– Mauryan Period: Limited decoration, primarily on railings and gateways.
– Post-Mauryan Period: Extensive carvings and sculptures depicting Jataka tales, life of Buddha, and other motifs, enhancing the artistic value.
• Regional Styles:
– Mauryan Period: Relatively uniform style across the empire.
– Post-Mauryan Period: Emergence of regional styles with local influences seen in stupas across different parts of India, including Gandhara, Mathura, and Andhra Pradesh.
•Socio-Religious Context:
– Mauryan Period: Stupas served as reliquaries and symbols of Buddhist piety under state patronage.
– Post-Mauryan Period: Increased patronage from local rulers, merchants, and communities, leading to a proliferation of stupas and the integration of more diverse artistic elements.