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The relevance of aestheticism in E.W. Hornung’s A.J. Raffles series is primarily manifested through the character of Raffles himself and the thematic exploration of art, beauty, and the pursuit of sensual pleasures.
Aestheticism plays a subtle yet significant role in E. W. Hornung’s A. J. Raffles series. Raffles, the gentleman thief, embodies the aesthetic movement’s principles, valuing beauty, art, and individualism over conventional morality. His refined tastes in art, fashion, and luxury reflect the movement’s emphasis on “art for art’s sake,” contrasting sharply with his criminal activities.
This juxtaposition highlights the duality of Raffles’ character, a dandy who commits crimes with elegance and flair, challenging Victorian societal norms. His actions question the rigid moral codes of his time, suggesting that beauty and artistry can transcend legality.
Moreover, the series’ detailed descriptions of settings and Raffles’ stylish escapades immerse readers in a world where aesthetics often blur ethical lines. By doing so, Hornung not only entertains but also critiques the superficial judgments of society, making Raffles a complex, morally ambiguous anti-hero rooted in aestheticism.