Pahari paintings, originating from the Himalayan hill kingdoms in North India, evolved between the 17th and 19th centuries. The style is characterized by its vibrant colors, lyrical quality, and romantic depictions of landscapes and themes from Indian epics. The above picture is an example of Pahari paintings. This Kangra-style painting from Himachal Pradesh exemplifies the intricate beauty and refined aesthetics of the Kangra school, which flourished in the 17th century. The painting above shows Krishna playing his flute and Radha who is seated with her companion in between of delicate flowers and bush. The detailing of the flora, along with the gentle and lyrical quality of the composition, underscores the Kangra style’s devotion to portraying nature’s beauty and the theme of divine love. The intricate patterns on the clothing and the refined use of shading further highlight the technical skill and artistic sophistication of the Kangra school, making this painting a splendid example of Pahari miniature art from Himachal Pradesh.

Later in the 18th century, the Guler school further refined the style with an emphasis on realism and a softer palette. These paintings often depicted court scenes, portraits, and elaborate settings, highlighting the influence of Mughal naturalism.

Other notable sub-schools include Chamba, known for its intricate details and rich palettes, and Mandi, which integrated local folk elements and simpler compositions.