Throughout Sense and Sensibility, Austen uses free indirect discourse to delve into the thoughts and emotions of both Elinor and Marianne Dashwood. However, some argue that the narrative voice itself occasionally displays a subtle bias. Can you identify specific instances ...
"Pride and Prejudice," Austen's biting social critique, highlights the follies of vanity through its lead characters, Mr. Darcy and Elizabeth Bennet. At the beginning of the novel, both characters hold themselves in high esteem and believe themselves to be better than their counterparts. Lizzy is prRead more
“Pride and Prejudice,” Austen’s biting social critique, highlights the follies of vanity through its lead characters, Mr. Darcy and Elizabeth Bennet. At the beginning of the novel, both characters hold themselves in high esteem and believe themselves to be better than their counterparts. Lizzy is proud of her wit and judgment and considers herself above the futile customs of the gentry class. Darcy deems people in society to be one-dimensional, selfish beings functioning solely to climb the hierarchy of class.
As they interact with each other, their existing ideas about themselves and society start being challenged. Elizabeth reconsiders her judgment of Darcy as rude and aloof as she learns more about his shy demeanor and careful character. Darcy is forced to look beyond his idea of a proper, “accomplished” woman as he encounters Elizabeth’s free-spiritedness and original wit. Their characters act as mirrors to each other, reflecting their own self-deception.
In the end, their self-reflection and assessment lead them to overcome their own pride and prejudices, resulting in the ever-beloved romantic union.
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In Sense and Sensibility, Austen's free indirect discourse allows access to both Elinor and Marianne's minds. However, the narrative voice itself can sometimes favor Elinor's "sense." Here's how: Word Choice: Austen might describe Marianne's emotional outbursts with words like "indulged" or "despairRead more
In Sense and Sensibility, Austen’s free indirect discourse allows access to both Elinor and Marianne’s minds. However, the narrative voice itself can sometimes favor Elinor’s “sense.” Here’s how:
Word Choice: Austen might describe Marianne’s emotional outbursts with words like “indulged” or “despair,” implying a lack of control. Conversely, Elinor’s actions might be narrated with words like “composed” or “considered,” highlighting her rationality.
Irony: Austen might employ subtle irony when depicting Marianne’s pronouncements on love. For example, a grand declaration of eternal devotion might be followed by a dry observation about the weather, casting a hint of doubt on Marianne’s sincerity.
These techniques influence the reader’s interpretation. We’re subtly nudged towards seeing Elinor’s approach as more mature and realistic, while Marianne’s emotions seem excessive and potentially misguided. This reinforces the novel’s theme of balancing reason and emotion. By highlighting the potential pitfalls of unchecked “sensibility,” Austen encourages readers to admire Elinor’s ability to navigate the world with both heart and head. However, it’s important to note that this doesn’t diminish Marianne’s emotional depth. The novel’s ending suggests a potential future where Marianne can find happiness by integrating her “sensibility” with a dose of Elinor’s “sense.”
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