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Macbeth
In Shakespeare's "Macbeth," fate and free will are intricately intertwined, creating a complex narrative on the nature of destiny and choice. The witches' prophecies introduce the theme of fate, suggesting a predetermined path for Macbeth's rise to power and his eventual downfall. These prophecies iRead more
In Shakespeare’s “Macbeth,” fate and free will are intricately intertwined, creating a complex narrative on the nature of destiny and choice. The witches’ prophecies introduce the theme of fate, suggesting a predetermined path for Macbeth’s rise to power and his eventual downfall. These prophecies ignite Macbeth’s ambitions, making him believe that his destiny is to become king. However, the play emphasizes that it is Macbeth’s own actions and decisions, driven by ambition and spurred on by Lady Macbeth, that lead to his tragic end.
Macbeth exercises his free will in choosing to murder King Duncan, Banquo, and others to secure his position and fulfill the prophecies. His actions demonstrate that, despite the influence of fate, it is his own moral choices and desires that bring about his demise. The witches may predict what will happen, but they do not control Macbeth’s actions; he is responsible for his own decisions.
Thus, “Macbeth” suggests that while fate sets certain events in motion, it is free will that ultimately determines the outcome. The interplay between fate and free will in the play highlights the complexity of human nature and the consequences of unchecked ambition
See lessEnglish literature
The novel "Bachelor of Arts" by R.K. Narayan explores several themes, reflecting both the personal growth of the protagonist and broader societal issues. Search for Identity and Self-Discovery: The protagonist, Chandran, embarks on a journey of self-discovery after completing his college education.Read more
The novel “Bachelor of Arts” by R.K. Narayan explores several themes, reflecting both the personal growth of the protagonist and broader societal issues.
Search for Identity and Self-Discovery:
Cinema
The history of LGBTQ portrayal had its ups and downs in Indian Cinema. As there were earlier portrayals of such characters in the Industry, with films such as Fire, Kamasutra - A Tale of Love and Bandit Queen. But were banned by the Censor Board of Film Certification, after backlash from the conservRead more
The history of LGBTQ portrayal had its ups and downs in Indian Cinema. As there were earlier portrayals of such characters in the Industry, with films such as Fire, Kamasutra – A Tale of Love and Bandit Queen. But were banned by the Censor Board of Film Certification, after backlash from the conservative groups.
The situation took one step forward, two steps backward with the stereotyping of LGBTQ characters in comedies. This example was seen in many movies such as Humshakals, Dostana, Prem Aggan etc. where the various members of LGBTQ were criminally stereotyped to be sexual, creepy psychopaths who stalk their prays, or don’t take no for an answer.
However now, the situation is slowly starting to improve. Where films are trying to accurately represent the LGBTQ community and the problems they face with a sense of authenticity. With various examples such as Badhai Do, Chandigarh Kare Aashiqui, Satyaprem ki Katha, Shubh Mangal Zyaada Savdhaan etc. But these movies are still not universally accepted. Although they’re not a majority, and mostly extend to the rural areas, there still exist regions where the community is ostracized. As such the situation for LGBTQ representation has definitely improved, it is still far from perfect
See lessCinema
The history of LGBTQ portrayal had its ups and downs in Indian Cinema. As there were earlier portrayals of such characters in the Industry, with films such as Fire, Kamasutra - A Tale of Love and Bandit Queen. But were banned by the Censor Board of Film Certification, after backlash from the conservRead more
The history of LGBTQ portrayal had its ups and downs in Indian Cinema. As there were earlier portrayals of such characters in the Industry, with films such as Fire, Kamasutra – A Tale of Love and Bandit Queen. But were banned by the Censor Board of Film Certification, after backlash from the conservative groups.
The situation took one step forward, two steps backward with the stereotyping of LGBTQ characters in comedies. This example was seen in many movies such as Humshakals, Dostana, Prem Aggan etc. where the various members of LGBTQ were criminally stereotyped to be sexual, creepy psychopaths who stalk their prays, or don’t take no for an answer.
However now, the situation is slowly starting to improve. Where films are trying to accurately represent the LGBTQ community and the problems they face with a sense of authenticity. With various examples such as Badhai Do, Chandigarh Kare Aashiqui, Satyaprem ki Katha, Shubh Mangal Zyaada Savdhaan etc. But these movies are still not universally accepted. Although they’re not a majority, and mostly extend to the rural areas, there still exist regions where the community is ostracized. As such the situation for LGBTQ representation has definitely improved, it is still far from perfect
See less