A typical Bharatanatyam performance is structured into a sequence of items that flow in a traditional order, each with its own significance and style:

1. **Alarippu**: The performance begins with Alarippu, a rhythmic invocation that includes basic dance movements (adavus). It prepares the dancer and audience for the performance.

2. **Jatiswaram**: This follows with a pure dance (nritta) piece where complex sequences of adavus are performed to swarams (musical notes) without lyrics, showcasing the dancer’s technical prowess.

3. **Shabdam**: Combining dance and expression (nritya), Shabdam introduces abhinaya (expressive aspect) with short narratives, often involving stories of gods and goddesses.

4. **Varnam**: The centerpiece of the performance, Varnam is a lengthy and elaborate piece that combines intricate dance sequences with expressive storytelling. It tests the dancer’s versatility and stamina, portraying various moods and emotions.

5. **Padams/Javalis**: These are expressive dance pieces that delve deeper into abhinaya, focusing on the interpretation of poetry, often revolving around themes of love and devotion.

6. **Tillana**: A fast-paced, rhythmic conclusion, Tillana highlights the dancer’s agility and precision through intricate footwork and brisk movements.

7. **Mangalam**: The performance ends with Mangalam, a short prayer or salutation, seeking blessings and thanking the audience.

This structure balances nritta and abhinaya, showcasing the dancer’s technical skill and emotional expression.