Playwrights like Vijay Tendulkar and Girish Karnad used traditional themes in their plays. Their main focus was on the social issues prevailing in Indian society and were simultaneously attacking the patriarchal norms, which tend to make Indian women subordinate to men.  

Both the dramatists addressed social issues of Indian society, rigid caste system, and gender discrimination, mainly concerning the status of women. 

The collective theme of Subjugation of Subalterns can be seen in their writings where women were targeted as subaltern objects who were suppressed and demoralised. Tendulakar’s 1972 play, “Ghashiram Kotwal” is a fine example showcasing the condition of women, the protagonist of the play, Ghashiram exploits women and demeans them.

Vijay Tendulkar has also critiqued the flawed Indian court system during his time, through the play “Silence! The Court Is in Session”. He theorises the subdued condition of women and the Indian courts which do not provide fair justice. 

On the other hand, Karnad incorporated myth in his work which is a major part of Indian writings and “Hayavadana” is one such mythical play. His inclination towards politics is evident in “Tughlaq”.
Hence, drawing relevance to contemporary issues. 

Both the dramatists have shown similar plight of women and have addressed contemporary challenges through their dramas. Their contribution is noteworthy in the Indian theatre.