How does Twelfth Night explore the theme of mistaken identity and disguise?
Ambition and its consequence is central to 'Frankenstein'. Victor Frankenstein's endeavors are "excessive" in the sense that they usurp God's place as the source of human existence, and they also have dire repercussions. Consequently, it makes sense to draw the conclusion that the book illustratesRead more
Ambition and its consequence is central to ‘Frankenstein’. Victor Frankenstein’s endeavors are “excessive” in the sense that they usurp God’s place as the source of human existence, and they also have dire repercussions. Consequently, it makes sense to draw the conclusion that the book illustrates the dangers associated with such desire. Walton and Frankenstein’s goals are driven more by egotism than by a desire to advance science.
According to Frankenstein, ambition carries a risk since it might turn wicked. Frankenstein compares his own goal to a litany of previous harmful ambitions, and it is this list that drives him to create the Monster. Ambition is dangerous, says Frankenstein, since it can turn evil. Frankenstein creates the Monster because he compares his own objective to a long list of destructive past goals. The Monster is prompted to have an ‘insatiable thirst of vengeance on mankind’. Victor’s greed in “Frankenstein” leads him to create life without moral consideration, which has disastrous consequences and causes him to become alone and destroy connections. The book emphasizes the perils of uncontrolled ambition and the moral conundrums associated with scientific progress, alerting readers to the repercussions of putting moral issues aside in the name of knowledge.
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Shakespeare emphasizes the use of dramatic irony for comedic effect, particularly in Twelfth Night, by employing mistaken identification. Identity confusion is the central theme of multiple tale arcs. Shakespeare frames the plot around the resolution of these two love tales through the incidents ofRead more
Shakespeare emphasizes the use of dramatic irony for comedic effect, particularly in Twelfth Night, by employing mistaken identification. Identity confusion is the central theme of multiple tale arcs. Shakespeare frames the plot around the resolution of these two love tales through the incidents of mistaken identity in the two main story lines: Olivia confuses Sebastian for Cesario, and Orsino thinks Viola is her masculine disguise (Cesario). While the characters struggle to sort things out, he also hopes to make the audience laugh. The spectator is amused by Olivia’s inadvertent homosexual impulses (such as falling in love with Cesario, who is actually a woman) and Orsino’s unease with his developing feelings for Cesario/Viola amid all of the confusion.
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