Is the future of the indigenous communities ( adivasis ) evolving, particularly in terms of cultural preservation and adaptation?
The history of LGBTQ portrayal had its ups and downs in Indian Cinema. As there were earlier portrayals of such characters in the Industry, with films such as Fire, Kamasutra - A Tale of Love and Bandit Queen. But were banned by the Censor Board of Film Certification, after backlash from the conservRead more
The history of LGBTQ portrayal had its ups and downs in Indian Cinema. As there were earlier portrayals of such characters in the Industry, with films such as Fire, Kamasutra – A Tale of Love and Bandit Queen. But were banned by the Censor Board of Film Certification, after backlash from the conservative groups.
The situation took one step forward, two steps backward with the stereotyping of LGBTQ characters in comedies. This example was seen in many movies such as Humshakals, Dostana, Prem Aggan etc. where the various members of LGBTQ were criminally stereotyped to be sexual, creepy psychopaths who stalk their prays, or don’t take no for an answer.
However now, the situation is slowly starting to improve. Where films are trying to accurately represent the LGBTQ community and the problems they face with a sense of authenticity. With various examples such as Badhai Do, Chandigarh Kare Aashiqui, Satyaprem ki Katha, Shubh Mangal Zyaada Savdhaan etc. But these movies are still not universally accepted. Although they’re not a majority, and mostly extend to the rural areas, there still exist regions where the community is ostracized. As such the situation for LGBTQ representation has definitely improved, it is still far from perfect
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The migration and displacement of communities in North East India are vividly depicted in literature, reflecting the region's complex socio-political landscape. Writers like Temsula Ao, Mamang Dai, and Easterine Kire portray the upheavals experienced by indigenous communities due to ethnic conflictsRead more
The migration and displacement of communities in North East India are vividly depicted in literature, reflecting the region’s complex socio-political landscape. Writers like Temsula Ao, Mamang Dai, and Easterine Kire portray the upheavals experienced by indigenous communities due to ethnic conflicts, insurgency, and state policies.
Temsula Ao’s “These Hills Called Home” delves into lives disrupted by the Naga insurgency, highlighting the loss of cultural identity and traditional ways of life. Mamang Dai’s “The Black Hill” explores displacement through historical and mythical intersections, showcasing the impact of colonial and post-colonial encounters.
Easterine Kire’s novels, such as “A Terrible Matriarchy” and “Mari,” provide intimate glimpses into the effects of displacement on personal and collective memory. Her narratives often reflect the resilience of communities amidst turmoil. Contemporary poets and writers from the region articulate the silent struggles of migration, often overlooked in mainstream discourse.
These literary works are crucial for understanding the nuanced realities of displacement in North East India, giving voice to those marginalized by broader historical and political narratives.
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