Henrik Ibsen’s “A Doll’s House” is widely considered a feminist play, though Ibsen himself did not explicitly label it as such. The play focuses on the struggles of Nora Helmer, a woman trapped in a repressive, patriarchal society that limits her personal freedom and identity. Nora’s journey toward self-discovery and independence highlights the constraints placed on women during the 19th century.

The play criticizes the traditional roles of women as subservient wives and mothers, confined to domestic spheres and denied autonomy. Nora’s decision to leave her husband and children at the end of the play is a radical act of defiance against societal norms and expectations. This act challenges the notion that a woman’s primary duty is to her family, instead asserting her right to individual freedom and self-determination.

Moreover, Ibsen’s portrayal of male characters, such as Torvald Helmer, underscores the pervasive gender inequalities and the objectification of women. Torvald’s patronizing attitude and control over Nora exemplify the patriarchal mindset that the play seeks to critique.

While some argue that “A Doll’s House” is more about human rights and individualism than feminism per se, its emphasis on the emancipation of women and critique of gender roles firmly align it with feminist themes.