In Paradise Lost, Satan is often portrayed as a complex and even somewhat sympathetic character, despite being the embodiment of evil. How does Milton use literary devices like imagery, character interactions, and even epic similes to create this complexity in Satan, and what purpose might this complexity serve in the overall narrative of the poem?
Milton crafts a captivatingly complex Satan in Paradise Lost. Imagery paints him with fallen majesty, like a dimmed sun. He retains a “brightness” even in Hell, hinting at lost glory and a tinge of tragedy. Character interactions showcase his leadership. Rallying his followers with inspiring speeches, Satan exhibits strategic brilliance, making him a compelling, even admirable figure. Epic similes further blur the lines. Compared to both powerful (phoenix) and vulnerable figures (lone wolf), Satan evokes a mix of strength and isolation, drawing conflicted emotions from the reader.
This complexity serves a twofold purpose. First, it raises questions about good and evil. Is Satan simply opposing God, or are deeper motivations at play? Second, it heightens the stakes. A complex Satan poses a more significant threat, making the battle for order more uncertain and the potential consequences dire. While never condoning Satan’s actions, this complexity allows us to understand, perhaps even briefly sympathize with his motivations – a testament to Milton’s masterful characterization. However, it ultimately reinforces the triumph of good. By making Satan such a captivating villain, Milton emphasizes the gravity of his sin and the power of God’s order.
Satan’s complexity arises from his contradictory traits. He exhibits heroic qualities such as courage, determination, and eloquence, which he uses to lead the fallen angels. For instance, he boldly declares, “Better to reign in Hell than serve in Heaven,” showcasing his resilience and refusal to submit. However, his pride and ambition, which initially led to his rebellion against God, are his tragic flaws. These conflicting attributes make him a layered character, neither wholly evil nor entirely admirable.
Satan’s moments of vulnerability and inner turmoil elicit sympathy from the reader. Despite his defiance, he experiences profound despair and regret. In Book IV, he reflects on his own misery:
“Me miserable! Which way shall I fly
Infinite wrath and infinite despair?
Which way I fly is Hell; myself am Hell;”
Imagery :-
Milton’s vivid imagery presents Satan in grand and imposing terms. For instance, in Book I, Satan is described as:
This towering image evokes both admiration and intimidation, showing Satan’s former glory and his current fallen state. When he addresses his fellow fallen angels, his speeches are full of pride and defiance, as seen in his famous declaration:
Epic Similes:
Milton employs epic similes to draw comparisons that enhance our understanding of Satan’s character. One notable simile compares Satan to a majestic, albeit destructive, creature:
“His legions, angel forms, who lay entranced
Thick as autumnal leaves that strow the brooks
In Vallombrosa, where the Etrurian shades
High overarched embower.”
This comparison to autumn leaves not only illustrates the number of fallen angels but also evokes a sense of beauty in decay, much like Satan’s own fall from grace. Another epic simile likens Satan to a leviathan, emphasizing his immense power and dangerous allure.
Purpose of Narrative:-
Milton’s complex portrayal of Satan serves several purposes in the narrative of Paradise Lost. It challenges readers to grapple with the nature of evil and the consequences of rebellion. By making Satan a compelling character, Milton underscores the seductive nature of sin and the tragic dimensions of the fall. Satan’s complexity also highlights the themes of free will and redemption, as his choices contrast sharply with the obedience and humility of other characters, such as Adam and Eve.